Tuesday, February 18, 2014

Ryan Krull Featured Reader at Tavern of Fine Arts on Monday, February 24


Ryan Krull will be one of three featured readers at the •chance operations• reading at the Tavern of Fine Arts, 313 Belt Avenue, on Monday, February 24.

Other featured readers will be Dwight Bitikofer and Mallory Nezam.

Musical guest: Raven Wolf, solo jazz saxophone.

Doors open at 7:30 p.m. Admission is FREE.

Open-mic follows the featured readers.

Ryan Krull is a native St. Louisian, currently in his final semester of study for a Master of Fine Arts degree from the University of Missouri-St. Louis. He works in academic advising for the aforementioned school, lives in Tower Grove and is a reader of the slush for Boulevard magazine. His fiction and journalism have appeared online and in print.

The Yogini Spinster

Yoga for these women is always followed by chitchat over lattés and today Lisa is the one doing most of the talking. She’s been on vacation the last few weeks and is dying to tell her friends this story she heard out west.

The story concerns a woman from the Bay Area who isn’t exactly fat but, especially out there in California, has always felt like she’s had to be twice as good at everything else just to make up for the fact that she’ll never be one of those girls you see jogging through Noe Valley in shorts and a sports bra barely breaking a sweat and owning everyone’s gaze.

She’s the sort of girl who carries her baby fat with her into adulthood even though she’s following diet fads and counting calories before she can even drive -- the sort of girl who goes the whole summer between high school and college without ingesting a single carb. But no matter what she does, her cheeks only soften and unlike the chubby boys her age she can’t just grow a beard to cover up her sagging chin. By her midtwenties it’s abundantly clear that the fleshy pounds aren’t going anywhere. What she’s carrying is immune to everything that’s ever worked for anybody else.

And the woman knows on some level that that's not really important -- her weight, her frame, whatever -- she’s always told herself it’s not defining, not half as defining as her full ride scholarship or getting hired right out of college or, later on, her being named the youngest junior VP in the history of her firm. But still.

Then in her early thirties she meets a guy through one of those dating sites, a guy who’s a professional in her field and who’s smart enough to see in her what she’s accomplished, how good of a friend she’s been to so many people, how she really does care about others and at her core is a good person. So this guy who’s pretty handsome and, though he’s not as successful as she is, has still done OK in his own right -- so this guy really hits it off with her and she seems to really hit it off with him and a year or so after meeting on that first date they’re engaged. Everyone in the woman’s family is breathing a sort of sigh of relief and is just absolutely thrilled. And together the two of them -- 30s, no kids, him pulling in close to six figures, her pulling in well over six figures, six figures in San Fran is still six figures -- they have a good amount of disposable income to spend on nuptial pomp and circumstance.

And this is when it gets interesting.

A month or two before the wedding he comes clean to her. He tells her that he knows it’s dumb and it’s 2012 and they’re a modern couple and everything, but he’s uncomfortable that she’s higher up in their field, and he feels like his coworkers and other colleagues at industry-type functions are going to spread the word about him and all that chatter might turn into a stigma. He tells her all this casually in the middle of their movie night at home, without even pausing the DVD. So she finds the remote and turns on the lights in the room. He tells her to wait and hear him out. Nothing’s going to change, he says, but there is a big promotion coming up at his firm in a few weeks -- and remember these are the same weeks leading up to them saying their ‘I do’s’ -- and he says if he just buckles down at work, if he puts some elbow grease into it and shows that he’s the type of person really willing to put in the hours, then he’s a shoe-in. And he’s doing it for her, he says, because he doesn’t want her to marry some guy she’s going to have to support and if they have kids down the line then the last thing they need to be worrying about is the money factor of her maternity leave.

She’s uncomfortable, obviously. But this guy’s about to be her husband, and she says, sure go for it. Get that promotion. He kisses her and grabs the remote, presses play, and thinks that’s that.

Over the next few days that whole interaction -- combined with all the other run-up-to-the-wedding craziness -- gets the woman thinking about ways in which she might not quite be bringing her share to the table. Ways in which she, well you know, might not be pulling her weight. Her mind takes off to that body-conscious, mirror-gawking place that she’s probably no stranger to by this point in her life. Six weeks out from the wedding she starts thinking like it’s not a marriage she’s supposed to be getting ready for but the Miss California Swim Suit Contest or something.

Anyway, she calls her sister who lives in Austin and her sister of course hears the stress oozing out of the phone, so she naturally suggests her poor sibling try some yoga, if it helps her get into shape, great, but what she actually needs to lose is some of that tension. The woman takes her sister’s advice and the very next day she’s at her first class, signed up for thirty sessions over the next thirty days. She’s into it full-bore.

And of all the hundreds of places in San Francisco, she happens to walk into the one studio with the one yogi who is all about the om and the breath of yoga, but not so much about the moving around. Her first class she spends mostly in Savasana and maybe moves into Child’s Pose once, and the whole time she’s being told to try to find her breath. Focus on your breath, the yogi keeps saying. Everything is just energy, it all moves through you and it is neither good nor bad, it only depends on how your body chooses to interpret it.

The yogi is like this sixty year old guy from India who doesn’t have an ounce of fat on him and, when he does actually move, moves like a teenager; the kind of instructor who when he’s just casually sitting Indian Style in the front of the class is actually in perfect Full Lotus.

She leaves that first class a little perplexed and thinking that she’s had some serious misconceptions about yoga. But she’s signed up for thirty classes and she hasn’t gotten where she is by giving up on things or quitting after just one day -- she went like three months without eating a piece of bread, for god’s sake. So she goes again, and again, and again on the next day, the next day, and the next.

The woman’s fifth class is when the old yogi first walks in with the bell. He sets it down in the back of the studio, not saying anything about it, and the class he leads that day is practically motionless. The woman’s in Child’s Pose for over an hour, her back and neck are filled with that pulling type of heat -- that’s when the yogi rings it. It sounds like one of those church steeple bells, but sharper and with more sustain. And there in the darkened silence of the yoga studio it’s the clearest sound the woman’s ever heard. In between the first and second ringing the yogi tells the class to imagine that sound as a personal bubble, completely protecting them from all those other petty noises that try to invade. Notice how, he says, well after the bell has quieted you can still hear its sound, it's still protecting your space and anything that comes inside that space can only do so with your blessing. And that’s when the woman has her realization: the man she is about to marry she doesn’t love.

When she gets home from class that night her fiancé asks her how it went and she says she’s probably not going to go back. She gave it a try and yoga’s just not for her. But, in a mere five days, her husband-to-be has managed to fall in love with the idea of a sleek and flexible, shiny, brand new wife. He tells her, no, she can’t quit. She’s not even a week in. He’s been working ten-hour days trying to get that promotion. He’s planning on working both Saturday and Sunday. ‘Don’t let me down, babe,’ he says. ‘Don’t let yourself down. Let’s not start the marriage by backing out on something.’ He talks to her like he’s her middle school softball coach or something. So just to shut him up she goes and throws her yoga clothes in the wash so they’ll be clean for tomorrow. She goes to class the next day, her sixth, and then the following. And her fiancé’s all of a sudden like super interested in her yoga now that he feels like she’d have quit if not for him. Every night he asks her about class and every night she tells him she’s not into it. ‘You’ll warm up to it,’ he says. "Ok," she says. And with each class’ meditation it becomes clearer to her that marrying this man will make her profoundly unhappy, despite how good she felt about it just a month ago, despite how much she’d still like to see it work. She can’t ignore the error she’d started making back on that first date: she was so distracted by this man’s acceptance of her, she never stopped and asked herself if she accepted him. She goes to her ninth class, her tenth. After her twentieth class, about three weeks in, she finally calls the wedding off. She comes home from class and whoever would’ve thought a ringing in your ears could be a good thing, but she uses that bell’s sound to stay calm and cool and immune while she breaks the news to him and he cries on the kitchen floor right where she’d broke the news to him -- he can’t even make it into the living room to a couch or a chair. Then he calls his mother, right there in front of her still in the kitchen, saying that everything is F'ed and calling the woman an F'ing B. And then he says -- he’s actually talking to his mother but of course the woman can hear -- he says that the whole promotion thing was a lie and actually his firm has brought in outside efficiency consultants and he’s confident they’ll recommend his termination despite all the extra work he’s been putting in. His words and his crying are all just petty noise to the woman though, unfortunate that it has to take place in her kitchen but none of it's getting past her bubble. She even helps her now ex-fiancé pack up all his stuff that’s made its way to her place in the past year.

Word spreads. The woman’s phone starts ringing that night and keeps ringing for weeks. There are emails and text messages too, of course. She replies to everything promptly and with a yogic calm. Her standard response is: that’s the cost of illumination.

The cups at Lisa’s table are fist crumpled and teeth marked around the brims. One of Lisa’s friends asks how she heard that story.

"After a class in San Fran," Lisa says. "Someone came up to me and was like ‘Do you know who you just practiced next to?’ I said ‘No’ and they said, ‘That was the yogini spinster. Aren’t you from around here?’ Her story’s fairly famous out there in yoga circles. The woman who jilted her man for the mat."

"What’d she look like? When you were next to her for the class?"

"Well before she even had her mat down I thought this woman looked melancholic. But after about thirty minutes I realized that was wrong. She looked like a woman with light around her, like no matter what happened to her in this life it wasn’t going to cause even a scratch."

-- Ryan Krull (Note: "The Yogini Spinster" first appeared in Whisky Island, Issue 61

Monday, February 17, 2014

Raven Wolf Musical Guest on Monday, February 24



Raven Wolf, solo spiritual jazz saxophone, flute, and hand drums, will be the musical guest at the Tavern of Fine Arts, 313 Belt Avenue, on Monday, February 24.

Featured readers will be Dwight Bitikofer, Ryan Krull, and Mallory Nezam.

Doors open at 7:30 p.m. Admission is FREE.

Open-mic follows the featured readers.

Friday, January 24, 2014

David Parker Musical Guest at Tavern of Fine Arts on Monday, January 27

David Parker, solo jazz piano, will be the musical guest at the •chance operations• reading at the Tavern of Fine Arts, 313 Belt Avenue, on Monday, January 27.

Featured readers will be Sean Arnold, Jim McGowin and Brett Underwood.

Doors open at 7:30 p.m. Admission is FREE.

Open-mic follows the featured readers.

David Parker says:
I was born 1959, the same year Kind of Blue (Miles Davis), and John Coltrane Plays the Blues were recorded, Ornette Coleman arrived in NYC that year as well. Improvising on the piano as early as 5 or 6, with 2 or 3 years of classical lessons around 8th grade. In my high school years, I took extremely valuable music theory classes at St. Louis University High and I also studied composition with Michael F. Hunt.

Taught myself jazz in the years after high school, played cocktail piano at Duff’s for a few years (’79, ’80, 81). Informal studies with poet Shirley LeFlore. Workshop in Woodstock with Jack DeJohnette, Dave Holland and Pat Metheny.

Since around “81, I did many concerts and gigs with trumpeter/poet Floyd LeFlore (one of the founding members of Black Artist Group). Studied with Anthony Braxton at Mills College (Oakland, California) in 1990.

In the early ‘90s, I played and studied with Joe Charles (master drummer, teacher and mystic) and Jimmy Sharrod (saxophonist, composer). My record label (Vid Recordings) has released 10 albums over the years.

Thursday, January 16, 2014

Jim McGowin Featured Reader at Tavern of Fine Arts on Monday, January 27


Jim McGowin will be one of three featured readers at the •chance operations• reading at the Tavern of Fine Arts, 313 Belt Avenue, on Monday, January 27.

Other featured readers will be Sean Arnold and Brett Underwood.

Musical guest: David Parker, solo jazz piano.

Doors open at 7:30 p.m. Admission is FREE.

Open-mic follows the featured readers.

Jim McGowin tries to write and paint and take pictures when he isn't at his day job. He is particularly fond of the fusion of art and beer, and has thus read at locations such as Duffs (Chance Operations), Dressel's (Poems, Prose, and Pints), Sandrina's, Atomic Cowboy, and quite possibly some other places he forgot about. He also read on KDHX FM 88.1 once, which he thinks is pretty cool. One of these days he plans on organizing his poems into a book of some sort and giving copies away, because probably no one will want to pay money for one.

something... 2/12

an unintended summer day
an unencumbered florid display
of rationale

an approach, like a roach,
cautious and bearing
gifts of antenna rubbings

the thought bubbles
     twisting

like partially deflated balloons
hanging from a mailbox
with a sign
announcing a party
that has already passed

loose thoughts for a rational man
wouldn't you say?
or maybe you wouldn't

seeing as how we have
already started our
trajectory to tragedy

the tragedy of gas giants

close
but never to be

     a star

-- Jim McGowin

Brett Underwood Featured Reader at Tavern of Fine Arts on Monday, January 27


Brett Underwood will be one of three featured readers at the •chance operations• reading at the Tavern of Fine Arts, 313 Belt Avenue, on Monday, January 27.

Other featured readers will be Sean Arnold and Jim McGowin.

Doors open at 7:30 p.m. Admission is FREE.

Musical guest: David Parker, solo jazz piano.

Open-mic follows the featured readers.

Brett Lars Underwood is a bartending gadabout who writes, promotes and produces happenings and mishaps in St. Louis, Missouri. He's quicker with the stink eye than verbal reprimands and favors the brushback pitch over preemptive warfare. He has the wingspan of an albatross and would prefer cash.

Man's Crisis of Identity

A)
Button the lip but for a daft witticism
disinfecting citified minivan stories
stewed in knotted midsection oven
mittens telling the ancient news networks
with finger signals that fry the nothings and
insist incidents jumped the fence
dense but the dang boss (trafficker of snores)
in the picture was gone dripped off the smile
of the moneymaking pep in the step, fuck the
criticism splatter jism
amidst nomads and their lawn furniture
sin and wetted with snorts from a
sweaty bottle of brown glass flew
over a confirmed tiny sister sitter
on the facelessness of the worker
who poured the gravity of labor and Santa
gave his lumbago to the slelves
yep—slave elves---
not to mention tiny sirs and philanthropic
yuppies gifting guppies to a shark.

B)
Social lacing never quite hinders unseen
in the hump fields of the nevermind.
The stripping of hazy ids that couldn’t
begin to lend abstraction to the expected
bocce ball precedent pretending when
that ditzy sixball’s scent drips on a coerced ditz.
Or maybe the next hit spy rallying for the
invite of a possibility that the Moondaig to drizzle
Mussolini sugarnecktard on the rim of your grinchole low
the cloud working a lunch shift on Wednesday.
Weep easy. Weep long. Wipe the drips from your gentle smirk.
Loosen the reins of your worksteady belch, ye
clodhoppers, ye Gophermenz.
Then, there came at last,
“Old crayon, you grizzle”, from near
the space needle of no syringe.
At the end of the day, his back
aches and she still smells like onions
muttering gravely into the whiskey
and half drunk ales.
Misery in the tea asks, “Why, mystery?”
at the rust in his socks.

C)
Ice Cream, a time void forcing you,
willing you to believe that you're an angel
to let that pouty dictator melt over the cone
to your cunning fingers of bliss that hold the
magic…oh! The magic!
The magic to render that mourning skeleton
into a man who no longer regrets having
butchered his mother’s tongue... or letting you slip
Cheerios into his guitar hole.

-- Brett Lars Underwood

Sean Arnold Featured Reader at Tavern of Fine Arts on Monday, January 27


Sean Arnold will be one of three featured readers at the •chance operations• reading at the Tavern of Fine Arts, 313 Belt Avenue, on Monday, January 27.

Other featured readers will be Brett Underwood and Jim McGowin.

Musical guest: David Parker, solo jazz piano.

Doors open at 7:30 p.m. Admission is FREE.

Open-mic follows the featured readers.

Sean Arnold lives in St. Louis across the street from the Botanical Gardens in an apartment with his lovely girlfriend and their dog and cat.

He recently published his fourth chapbook “Soliloquy From a Freight Yard: An Open Fall Window”. This is the final season/book in his “Soliloquy From a Freight Yard” series based around the seasons and freight yard romanticisms.

Sean is taking a final attempt at his undergrad in creative writing at Webster University. He is the former host and co-organizer of Voices From the Underground and Casinotown poetry readings. His poetics have been set to folk music, electronic music, hip-hop, and everything in between.

OH! The Wheat!

all those dates
and pictures
and apps.
-- weird the way myths have always reinforced and combated the hyperreal.
all those screenshots and toocool avatars
like bob marley playing from a youtube page
on a tv hooked up to a bluray player and
pandora.

and a department store in wichita kansas
with kevin kidwell
or a steak n shake in ofallon beside the blockbuster
across from the gasmart
with my old friend who joined the marines.

--and so i think, all
the st louis anarchists
were out of touch
with folks who ride motorcycles.

somewhere the wolves are howling
in an unfettered wilderness. i know,
for i have been there.


ill text you soon homie,
--here we stand

like germs of wheat
blown by the wind.

-- Sean Arnold

Monday, December 30, 2013

Susan Trowbridge Adams Featured Reader at Tavern of Fine Arts on Monday, December 30


Susan Trowbridge Adams will be one of three featured readers at the •chance operations• reading at the Tavern of Fine Arts, 313 Belt Avenue, on Monday, December 30.

Also featured will be Ben Moeller-Gaa and Paul Ortiz-Baca.

Doors open at 7:30 p.m.; admission is FREE.

Open-mic will follow the featured readers.

Susan Trowbridge Adams moved to Saint Louis two years ago because she’s impulsive when she’s in love, and has been fortunate to meet many socially conscious, creative, and talented people, some of whom have offered her paid work.

She likes rare steak, black dirt, Patti Smith, looking at urban wildlife in the yard, and sleeping with the window open.

Locally, Susan has featured at various venues around St. Louis including Poems, Prose, & Pints, Spiritual Jazz Meets PoJazz, and Jazz & Poetry in the Galleries," at the Missouri History Museum.

She has just finished recording her debut album, Strength, with music direction by her personal dude in the house Ted Moniak, whom she met at a theatrical audition in 1980.

Nativity

The kid is frightened, and so very sad. It makes her
rude when she means to be efficient.
Her Daddy wants everything his own way
and if she doesn't act the way he likes
she can't even hug her baby brothers goodnight.
She loves them so much.

The kid is angry, she's feeling too raw
to be gracious in her Mother's house. She hugs
uncomplicated historyless affection
in a crowd of like-minded strangers;
joins their good work that does not ring in her ears
as choosing sides
or giving in, or giving up,
only giving.

The kid wants to smile but all she's got when she gets in the door
is a self full
of grieving and dilemmas and tired.
She would rather not be horrible.
It's just, she's got all this misery
and she can't help sharing.

The kid loves holidays, she loves traditions,
but right now it's all awkward.
The fierce auntie sleeps in her room,
Mama's not taking any more mess from Daddy
who turned around and won't talk to her oldest little brother;
big sister isn't a girl anymore
which just does not sit with her church,
and no one in this house seems to remember
the words to all the carols this year.

The kid spends her evenings on the phone
with her greek sisters and her mission friends.
The rest of us, we are all smelly
of expectations and conflict and the kind of need
you don't volunteer for:
You just do it. It's family. And the kid
really does not want to. She wants to
feel good about herself, but she's too young yet
to find the lines and walk them.

The kid tries every evening to be okay,
to make no waves, to get along
without getting with the program.
She whispers alone to mother.
She insults her brother.
She holds her oldest friends
and gets Fierce Auntie to share a movie.
Then someone went and made ham for dinner.
The kid does not eat red meat.

The kid has a quiet cloud of all wrong
smothering her heart and the fun of her.
She can't make it rain, she can't make it sun,
she's walking through the joint silent after supper
like a spiritual Pigpen
kicking up her own private dust.
She wants to feel grateful, and she only feels
twisted and needy.

But late, late and alone
she pads down to the living room
and maybe she's raining finally after all;
She orders all the animals awe-filled around the crèche
and in the morning
there is her Baby Jesus
glowing in the center,
with all the love she had left to give.

-- Susan Adams
(April 11 2011. All rights reserved.)

Saturday, December 28, 2013

Ben Moeller-Gaa Featured Reader at Tavern of Fine Arts on Monday, December 30


Ben Moeller-Gaa will be one of three featured readers at the •chance operations• reading at the Tavern of Fine Arts, 313 Belt Avenue, on Monday, December 30.

Also featured will be Susan Trowbridge Adams and Paul Ortiz-Baca.

Doors open at 7:30 p.m.; admission is FREE.

Open-mic will follow the featured readers.

Ben Moeller-Gaa is a haiku poet whose work has appeared in over 25 journals worldwide including Modern Haiku, Frogpond, and The Heron's Nest as well as several anthologies including Haiku 21 and the Red Moon Press's annual Best Of English Language Haiku for 2011 and 2012. He has two forthcoming haiku chapbooks, Wasp Shadows (Folded Word Press) and Blowing on a Hot Soup Spoon (STLProjects).

sudden storm

losing power

in the argument

(Courtesy of  Never Ending Story; originally published in Kernals 1, 2013.)


reunion dinner

saying hello

to old habits

{Courtesy of Tiny Words 13.3, November 2013

 

Friday, November 15, 2013

Henry Goldkamp Featured Reader at the Tavern of Fine Arts on Monday, November 25


Henry Goldkamp will be one of three featured readers at the •chance operations• reading at the Tavern of Fine Arts, 313 Belt Avenue, on Monday, November 25.

Also featured will be Amy K. Genova and Julia Gordon-Bramer.

Doors open at 7:30 p.m.; admission is FREE.

Open-mic will follow the featured readers.

Born and raised in Saint Louis, Henry Goldkamp translated his skills as a union sheet metal worker into the medium of sculpture while simultaneously molding his craft as a self-taught poet. The latter led to the development of his poetry project, Fresh Poetry, Ink, in which he fashions poems tailor-made for passersby. His work has led him to collaborations with Contemporary Art Museum, fort gondo, KDHX, The Mayor’s Office of Saint Louis, Clayton Fine Art Gallery, The Masses, St. Louis Shakespeare Festival, Crystal Bridges, and many others.

Featured on NPR, Time’s art blog, and a multitude of local media, his recent project “What the Hell is Saint Louis Thinking?” spotlights residents’ typewritten stories across the city and her outskirts. The book of the project’s findings is due out 2014.

He is also currently running the Poetree Project, a city-wide participatory poetry project culminating with an installation of poems in Forest Park, Saturday, December 14th.
Mallory Poem
It is just
Me & Her
in a large new warehouse
with high ceilings
surrounded by mediocre portraits.
“It’s been so long
since I’ve felt so strange,” I say.
It echoes back
in the different voice of nonage
so I am unaware of its truth.
The sinews of flesh and synapse of thought
need not recite themselves:
To remember the poem
I need only see her again.
Is she so foolish to believe
a single traipse
of thought of another of another time
I’ll leave her?
I only love her
because of the drive
as I sit in the passenger seat
& the dashboard never informs me
that I am not wearing a seatbelt.
Her heart and snaggletooth
fidget with something harmful,
like a children’s matching game
of felones-de-se and stark bodies.
Each time I think of her
I trace her body with a certain type of chalk.
-- Henry Goldkamp


Amy K. Genova Featured Reader at Tavern of Fine Arts on Monday, November 25



Amy K. Genova will be one of three featured readers at the •chance operations• reading at Tavern of Fine Arts, 313 Belt Avenue, on Monday, November 25.

Also featured will be Julia Gordon-Bramer and Henry Goldkamp.

Doors open at 7:30 p.m.; admission is FREE.

Amy K. Genova teaches composition at St. Louis Community College.  She has been published in in the American Poetry Review, REAL, Bad Shoe, Tipton Poetry Journal, Maize, Homestead Review, the Caprock Sun, and many others. This is her third year in St. Louis.  She'd rather be where there are palm trees, but toasted raviolis are good.  
Becoming light
This time I decide not to count laps but swim until tired.
It’s hard letting go: 2-4-6 … A gnomon-like shadow
slips
over the outdoor pool. Rings un-number themselves
off
my hands, five fingers squeezed like paddles clapping
water. But, then, that’s counting: tic, tic, tic. Anxiety
and sun clock my shoulder rosy. Will I swim enough?
Refocus on drain. Its clog of leaves. Cracks. Rust curving
algae down the pool belly. Lane dividers—red and blue.Perhaps, I’ll just count 400 IMs, neat lengths of 4x4s.
Would that be so bad? My sleek heart beat beat beats
without breath of comma in-betweens, despite symmetry—
left breath, no breath, right breath. Three beats. Undermy 90 degree elbow, freestyles the tree-glisten and sky.
One perfect hole in the clouds, God’s no-more-counting,
flip-turning. Just a good shove off the side into this glass

slipper
of warm shallow into cool deep.  A red-hatted
lifeguard, perches above my lane. Does he note my stroke?
Think I need saving?
Two swimmers come  &   go.      Am I tired?
             Invisible—
             Invisible—Turning, honeysuckle tickles my nose. A cloud-bit of radio
races after me. A thousand white leaves wade in sun.  My father rises again from water. Glasses, speckled
with splash.
My heart dolphins. Pop-static sings from the radio,

makes me feel like … I’m locked out of heaven. When numbers end:
light, cirrus strands, a boy in red trunks. A Doppler of dad in the pool

when I’m five …  This uncountable swim—
-- Amy K. Genova

Julia Gordon-Bramer Featured Reader at Tavern of Fine Arts on Monday, November 25


Julia Gordon-Bramer will be one of three featured readers at the •chance operations• reading at the Tavern of Fine Arts, 313 Belt Avenue, on Monday, November 25.

Also featured will be Amy K. Genova and Henry Goldkamp.
Doors open at 7:30 p.m.; admission is FREE.

Julia Gordon-Bramer is readying her book, Fixed Stars Govern a Life: Decoding Sylvia Plath for its release in the spring with Stephen F. Austin State University Press. If you'd like to be on her email list for more information, please flag her down, or write her at wordgirl @ nighttimes.com. When the Plath work slows down she intends to try to publish some more poetry. She was most recently voted St. Louis' Best Local Poet by the Riverfront Times.
Highway Walk
Maybe I was a little bit
high, but it made sense
then: the comforting
smooth slick of glittering
orange-yellow paint beneath
bare feet, the double
lines the width of my stride.
That fat black expanse of lanes
stretching and long         into the dark,     and me,
there, equidistant. Ten p.m.
Cars lit my way from ahead, from behind.
My soles protected from the gravel, glass,
metal bottle caps of the edge,
from the summer sticky heat and burning
blackness of tar, from the dark
reedy grasses breeding bleeding mosquitoes and murderers, unseen.
Horns honked, cars swerved, people said,
“Man, she’s tripped out!” and through
rolled down windows flicked lit cigarette butts.
Fourteen. This was how I walked, looking
down at my dirty toes, looking for somewhere
to go. The night swallowed everything in
asphalt, but my clear direction: not right
not left, not North, South, East or West.
I wasn’t anywhere. I was
just being
safe in the center of it all. 
-- Julia Gordon-Bramer
Note: "Highway Walk" won honorable mention in the St. Louis Writer's Guild 2011 contest.

Tuesday, September 24, 2013

Catherine Rankovic Featured Reader at Tavern of Fine Arts Monday, September 30


Catherine Rankovic will be one of three featured readers at the debut •chance operations• reading at Tavern of Fine Arts, 313 Belt Avenue, on Monday, September 30.

Also featured will be Matt Freeman and Eileen G'Sell.

Doors open at 7:30 p.m.; admission is FREE.

Catherine Rankovic says, 

Formerly a full-time newspaper reporter and magazine editor, I taught creative writing at Washington University from 1989 to 2010, currently teach in the online MFA program at Lindenwood University, and developed a following as an independent book and manuscript editor. 


I've written and published five books, including Meet Me: Writers in St. Louis (PenUltimate, 2010), nominated for a President's Award from the Missouri Writers Guild, and have worked with large and small publishers and Kindle Direct ebook publishing. Awards include the Missouri Biennial Award, an Academy of American Poets award, first place in the 2009 Midwest Writers Center poetry competition and first place in the 2010 St. Louis Poetry Center competition.

I have been honored to be a judge for many literary contests. My poems and essays have appeared in Boulevard,Gulf Coast, The Iowa Review, The Missouri Review, River Styx, Delmar, UCity Review, Umbrella, many newspapers and magazines, and several anthologies including Flood Stage (Walrus Publishing, 2010) and Are We Feeling Better Yet? Women Speak About Health Care in America (PenUltimate, 2008).

You Weren't There


You weren’t there when I killed ’em in Vegas
with my “open the door Richard damn you or kiss
my white booty” routine. You were – I dunno – drinking
Boone’s Farm Strawberry with some easy nonthinking
airhead underage blonde while I was up for
the Grammy for best comedy record of the year,

nineteen-seventy-nine, I believe, and only Richard 
Pryor had released a better album: Was It Something I Said?
In nineteen-eighty I recorded a underground hit 
with Marianne Faithfull; that’s me on the drum kit,
you didn’t know? My mentor Ringo, I call him Rich,
taught me at Apple and told me what a bitch

Paul laying down the drum tracks on Let It Be
had been. I engineered his cover of “Act Naturally”
and produced it, and where were you, dickhead,
when at twenty-three I was already a celebrated
ghostwriter for Norman Mailer, and had a cameo
in a Woody Allen movie; you didn’t see it, I know,

too busy tripping on Captain Morgan’s Spiced Rum
with fellow burnouts, dousing your buzzard breath with gum
so your parents wouldn’t kick your pitiful natural rear.
While I was toasted as the Little Richard of literature
and modeling Guess, you, fool, were choking your chick-
en, and when I was in a limo refusing to partner with Mick,

because I was busy buying stocks with MacArthur 
grants, and reviving Keith Richards with a fire extinguisher
every other day in palaces and Learjets,
your TV showed you me, through your haze of pot and Cheezits,
and now through a haze of video games and Internet porn 
you send an E-card with regards and regrets. Get born,
                                                                               jackass.

-- Catherine Rankovic

Eileen G'Sell Featured Reader at Tavern of Fine Arts on Monday, September 30


Eileen G'Sell will be one of three featured readers at the debut •chance operations• reading at Tavern of Fine Arts, 313 Belt Avenue, on Monday, September 30.


Also featured will be Matt Freeman and Catherine Rankovic.

Doors open at 7:30 p.m.; admission is FREE.


Open-mic will follow the featured readers.


Eileen G'Sell teaches at Washington University in St. Louis and is cofounder of The Hinge, an art gallery and event space. Recent and forthcoming work can be found in Conduit, Ninth Letter, and the Boston Review.  She is the winner of the American Literary Review's 2012 prize for poetry, and her chapbook will be available through Dancing Girl Press in spring 2013.

I Love You Like a Good Game of Skee-Ball
First of all, I never said that.
Second, if I drove a stick
I sure didn’t do it for Jesus.

The manuscripts are warm and the salary
depressing. Behind the stars are blue
and bold, hearts we steer toward bluer skies.

No one knows the speed of joy, and no one
speaks of sinking. I lived the way
a sailor lives, and I’ve seen swallows

starve. For I smell of love
and Suavitel, for I love the way
the sailor loves. For every second

past, a silver captain listens. If this
is the gift, and this, the giver,
then this is the sea you were meant

to receive. This is the rain
you were meant to forget,
this, the star that will not forsake you.

My handmade hypotheses are legions
on, yet no one speaks of drowning.
If I have drowned, then let it be

with you, for you, and fallen birds.
First of all, I never said
that it wasn’t something worth saying.

You were the game
I was meant to lose. But the game
was sweet, and soft, my friend,

and my hand still warm from the weight of it.
-- Eileen G'Sell
Thanks to Ink Node.

Matt Freeman Featured Reader at Tavern of Fine Arts, Monday, September 30


Matt Freeman will be one of three featured readers at the debut •chance operations• reading at Tavern of Fine Arts, 313 Belt Avenue, on Monday, September 30.

Also featured will be Eileen G'Sell and Catherine Rankovic.

Doors open at 7:30 p.m.; admission is FREE.

Open-mic will follow the featured readers.

Matthew Freeman woke up to find himself a poet while a still lovelorn teenager in Dogtown, St. Louis. After an irregular journey he found himself back at St. Louis University, where he was twice given the Montesi Award for his poems. His fourth collection, The Boulevard of Broken Discourse, was recently published by Coffeetown Press. Matt teaches at Adapt Missouri, and is proud to be in the MFA program at University of Missouri St. Louis.
I Know What Girls Know
I had to become the ugly friend—
I owed that much to the universe—

and I was desperate for the phone to ring,
and I dreamt all night after an accidental
breast grazed against my elbow in the
crowded lobby of Powell Hall.

I was hated by hipsters for wearing
my frumpy SLU shirt; I was ridiculed
by hippies for trying to remain chirpy
when I was freaking out; I was hunted
by hoosiers for recognizing how bored
and unhappy their wives were.

When I met Lesbia she touched me first;
she took my hand off the steering wheel
and put it on her inner thigh; I thought I’d die.
And when she asked about my model friend
I knew I had to bring this ship to shore --
it was easy, I just pretended
I didn’t really like her anymore.
-- Matt Freeman